Why I... sing

"I can sing all weekend then go to work on Monday and not feel exhausted"
by Adam Piplica

I am a counter-tenor, a classical singer. I started singing in a choir when I was seven and sang six days a week for my entire childhood. It was a really great preparation for becoming a singer, both as a choir member and soloist and performing in front of thousands of people.

I performed live on the radio when I was an 11 year old child, singing a carol unaccompanied. That was surreal knowing that thousands of people I couldn’t see were listening. It’s funny because it was nerve-racking to speak and answer questions. But when it came to the singing, well, it’s what I’d done every day for almost my entire life so I had that confidence.

Singing in public is a bit like how Lewis Hamilton describes driving a Formula One car – he said everything slows down after a few years of doing it. You stop being fazed and develop muscle memory.

The worst time I ever had singing was relatively recently in York Minster. I’d had little preparation time and not much rehearsal so I had to sight-read the music. The cathedral was crowded with hundreds of people. I was doing a duet and seeing the music for the first time. I misread an interval and sang a wrong note that clashed with the other singer. It was really obvious I had gone wrong. I apologised to the conductor afterwards but he praised the way I had continued confidently, regardless. This is a good lesson for life.

I can earn £250 in an evening for a solo performance. I also get to travel. I’ve sung all over, including Germany and Japan and I’m singing in Barcelona next Easter.

When I sing early music I feel a real connection to history – and the creativity of geniuses who wrote the music.

Sometimes I have to concentrate really hard but other times I can end up thinking the most mundane thoughts as I'm performing – like about what I'm going to have for tea. But most of the time it's a real thrill because when you’re singing in a choir, it’s about teamwork. You’re constantly adjusting to what others are doing, as well as counting and thinking about the music. In that moment, it can be really uplifting and you’re on a high afterwards.

Singing is a source of joy in my life, and I'm happy I can couple it with my work in financial planning which provides a sense of purpose, meaning and impact.

I can sing all weekend then go to work on Monday and not feel exhausted. I feel recharged because I’ve had fun and spent time with friends and I don’t feel like I need a break after that. It’s refreshing and makes me feel ready for another week.

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The secret lives of financial planners

From opera singing to acting, desert-running to war-gaming, it turns out Britain's financial planners and paraplanners are embroiled in a world of passions and past-times – and few of us even knew...until now.

"Why I...." is a series of stories about the surprising and wonderful ways in which financial advisers spend their free time.
What unifies these professionals is that their time is precious and we ask some of the best-known in the industry how they make the most of it. What factors drive them to give irreplaceable hours to a particular pursuit, week in, week out – sometimes for years on end? And how do these interests teach them to be better advisers to their clients?

If you want to get involved in this series, or know someone we should be talking to, email us at .

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